Many fashion designers have come under fire over the years for what is known as tokenism. Designer or editors will add one or two members on an underrepresented group to help them appear as inclusive and diverse, and to also help them give the illusion that they have equality. This idea of tokenism helps designers avoid accusations of racism, sexism, body shaming, etc.
The change from anti-fashion to fashion because of the influence of western consumer-driven civilization can be seen in eastern Indonesia. The ikat textiles of the Ngada area of eastern Indonesia are changing because of modernization and development. Traditionally, in the Ngada area there was no idea similar to that of the Western idea of fashion, but anti-fashion in the form of traditional textiles and ways to adorn oneself were widely popular. Textiles in Indonesia have played many roles for the local people. Textiles defined a person's rank and status; certain textiles indicated being part of the ruling class. People expressed their ethnic identity and social hierarchy through textiles. Because some Indonesians bartered ikat textiles for food, the textiles constituted economic goods, and as some textile design motifs had spiritual religious meanings, textiles were also a way to communicate religious messages.
In the 16th century, national differences were at their most pronounced. Ten 16th century portraits of German or Italian gentlemen may show ten entirely different hats. Albrecht Dürer illustrated the differences in his actual (or composite) contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right). The "Spanish style" of the late 16th century began the move back to synchronicity among upper-class Europeans, and after a struggle in the mid-17th century, French styles decisively took over leadership, a process completed in the 18th century.
Why you should follow: High fashion can sometimes seem like it's out of reach. While the likes of Chanel and Gucci will always hold a place in our hearts (and most bloggers' closets), sometimes it's great to know how to shop without spending a fortune. Alex Stedman of The Frugality constantly proves that the high street offers incredible pieces that look super expensive (such as this jumper from M&S).
Often consumers need to be told what they want. Fashion companies have to do their research to ensure they know their customers' needs before developing solutions. Steve Jobs said, "You’ve got to start with the customer experience and work backwards to the technology. You cannot start with the technology and try to figure out where you are going to sell it".
Building brand awareness and credibility is a key implication of good public relations. In some cases, great hype is built about new designers' collections before they are released into the market, due to the immense exposure generated by practitioners. Social media, such as blogs, micro blogs, podcasts, photo and video sharing sites have all become increasingly important to fashion public relations. The interactive nature of these platforms allows practitioners to engage and communicate with the public in real time, and tailor their clients' brand or campaign messages to the target audience. With blogging platforms such as Instagram, Tumblr, Wordpress, and other sharing sites, bloggers have emerged as expert fashion commentators, shaping brands and having a great impact on what is ‘on trend’. Women in the fashion public relations industry such as Sweaty Betty PR founder Roxy Jacenko and Oscar de la Renta's PR girl Erika Bearman, have acquired copious followers on their social media sites, by providing a brand identity and a behind the scenes look into the companies they work for.
Suggestions: There appeared to be only one line about Michelle Obama in the post. I felt the post title was a bit misleading, because it suggested it was more J. Crew and Michelle Obama, not J. Crew and the blogger. While the post title is great, a misleading post title can turn off new readers. I would suggest personalizing this post title, “How Michelle Obama turned me onto J. Crew”
(in clothing: = latest style) → Mode f; (back) in fashion → (wieder) modern; it’s the/all the fashion → es ist Mode/große Mode; to come into/go out of fashion → in Mode/aus der Mode kommen; a man of fashion → ein modischer Herr; the Paris fashions → die Pariser Mode; she always wears the latest fashions → sie ist immer nach der neuesten Mode gekleidet; fashions in women’s clothes → die Damenmode; to set a fashion → eine Mode aufbringen; the fashion world → die Welt der Mode
June 5, 2016 By fashionandstylepolice in Blogging Tips, Fashion Tags: 30 Blog Post Ideas for Fashion Blogs, Children's Style, Fashion, Fashion and Style Police, Fashion Blog Post Ideas, Fashion Blog UK, Fashion Blogger UK, Fashion Designers, Fashion News, Fashion trends, Fashionistas, High Street Fashion, High Street Shops, Moodboards, Outfit Photography Tips, Red Carpet Fashion, Red Carpet Style, street style, Style, Uk Bloggers, Wardrobe essentials, Who Wore It Better, Wishlist 59 Comments
The pace of change accelerated considerably in the following century, and women and men's fashion, especially in the dressing and adorning of the hair, became equally complex. Art historians are therefore able to use fashion with confidence and precision to date images, often to within five years, particularly in the case of images from the 15th century. Initially, changes in fashion led to a fragmentation across the upper classes of Europe of what had previously been a very similar style of dressing and the subsequent development of distinctive national styles. These national styles remained very different until a counter-movement in the 17th to 18th centuries imposed similar styles once again, mostly originating from Ancien Régime France. Though the rich usually led fashion, the increasing affluence of early modern Europe led to the bourgeoisie and even peasants following trends at a distance, but still uncomfortably close for the elites – a factor that Fernand Braudel regards as one of the main motors of changing fashion.
The definition of fashion and anti-fashion is as follows: Anti-fashion is fixed and changes little over time. Anti-fashion is different depending on the cultural or social group one is associated with or where one lives, but within that group or locality the style changes little. Fashion changes very quickly and is not affiliated with one group or area of the world but is spread out throughout the world wherever people can communicate easily with each other. For example, Queen Elizabeth II's 1953 coronation gown is an example of anti-fashion because it is traditional and does not change over any period whereas a gown from fashion designer Dior's collection of 1953 is fashion because the style will change every season as Dior comes up with a new gown to replace the old one. In the Dior gown the length, cut, fabric, and embroidery of the gown change from season to season. Anti-fashion is concerned with maintaining the status quo while fashion is concerned with social mobility. Time is expressed in terms of continuity in anti-fashion and as change in fashion. Fashion has changing modes of adornment while anti-fashion has fixed modes of adornment. Indigenous and peasant modes of adornment are an example of anti-fashion. Change in fashion is part of the larger system and is structured to be a deliberate change in style.
Though different textile colors and patterns changed from year to year, the cut of a gentleman's coat and the length of his waistcoat, or the pattern to which a lady's dress was cut, changed more slowly. Men's fashions were largely derived from military models, and changes in a European male silhouette were galvanized in theaters of European war where gentleman officers had opportunities to make notes of foreign styles such as the "Steinkirk" cravat or necktie.
In fact, Thomas’s connection with fashion stems, in part, from her personal biography. — Anne Showalter, Smithsonian, "The Fierce Pride and Passion of Rhinestone Fashion," 9 Aug. 2019 Since Palmer started hosting the show last year, she’s spoken to leaders and influencers, in industries that run the gamut from culinary arts and fashion to Hollywood and politics. — Renee Morad, NBC News, "The podcast that's inspiring women to pursue positions in leadership," 8 Aug. 2019 For older students, animal prints can be used to make a bold fashion statement such as in a leopard print dress or cheetah print pants. — Tyra Mcclung, courant.com, "Back to school in style: Here’s what’s trending this fall," 7 Aug. 2019 Anything But Classic Chanel is a fashion house known for many things, but its quilted purses are its most sought-after pieces. — Christian Allaire, Vogue, "Kylie Jenner’s Chanel Bag Is Anything But Classic," 5 Aug. 2019 More head-turning pieces are piled on top, including dramatic chandeliers collected through the years, porcelain vases from China, 1920s privacy screens, and even textiles from the Louis Vuitton fashion house. — Chadner Navarro, Condé Nast Traveler, "A New Hotel Is Embracing the Laid-Back Eastern Side of the Algarve," 26 July 2019 Designer Giorgio Armani, the sole shareholder of his eponymous, 41-year-old Italian fashion house, is streamlining the far-reaching company, in reaction to sales falling for a third year. — Robert Williams, Fortune, "Giorgio Armani’s Restructuring his Fashion Empire," 26 July 2019 Givenchy is the nephew of the fashion house's founder, Hubert de Givenchy. — Carrie Goldberg, Harper's BAZAAR, "Scarlett Johansson's Engagement Ring Is One of The Chicest We've Ever Seen," 24 July 2019 Shortly after, the fashion house and Dapper Dan began working together on a line, and a collaborative collection between the two debuted in 2018](https://fashionista.com/2018/07/gucci-dapper-dan-collection-clothing-accessories). — Lauren Rearick, Teen Vogue, "Dapper Dan Addressed Why Black-Owned Fashion Brands Don't Get Support On “The Breakfast Club”," 12 July 2019